1963

For his contribution to the omnibus film RO.GO.PA.G (1963), Pier Paolo Pasolini depicts Orson Welles making a film about the crucifixion of Jesus, while he, the cast, and the crew behave very unholy. La Ricotta is a short, apocalyptic tirade against the customs of professional filmmaking and the unchristian coldness of contemporary Christianity.

Harry Kramer dances his way through an industrial landscape to the rhythm of groovy jazz music. Filmed and edited in a clever but alienating way, slowly but surely, the urban setting and the impact of a dizzying and all-consuming metropolis take over.

A portrait of a leper colony in the north of Iran, where 'ugliness' is juxtaposed with religion and gratitude.