Dominique Loreau’s feature-length films are strongly anchored in a documentary reality: the actors play themselves and improvise from a predetermined framework that nevertheless welcomes coincidences and the passage of time.This methodology is already visible in her 1987 short film Zig-zags.
Su Friedrich, a pioneer in American avant-garde cinema, writes, directs, and edits all her films. These are often a mix of the personal and political, ranging from home movies to video interviews and more classic narratives.
