In this so-called post-truth era, the line between fact and fiction has blurred into a matter of style: what appears plausible is accepted as real. The rise of generative artificial intelligence has not merely accelerated this disintegration but formalised it. Truth is no longer something to be discovered, but something to be produced. Within this context, White Cloud / 白云 by Emmanuel Van der Auwera functions as a case study of the destabilisation of truth, image, and representation.
